Every film starring Varun Dhawan, Alia Bhatt and Siddharth Malhotra is special because in just 2-3 films they have turned into stars. And Humpty Sharma ki Dulhania has two of them and in fine form too. What director Shashank Khaitan does right is using DDLJ as a leitmotif for decoding the story. What he also does right is creating a crackling chemistry between the lead pair.
The story does not really deserve any brownie points. Its the usual boy meets girl, boy woos girl, boy and girl want to marry but the father objects before he gives in. But in the treatment lies the film’s novelty. With a fine set of actors forming the support cast, HSKD is a film which keeps you smiling throughout.
As the story shifts gears in the second half and introduces us to Siddharth Shukla, the film gets even more interesting as the only thing missing in a romance also gets ticked off the box-otherwise called kabab mein haddi. Ashutosh Rana is given a well sketched role and he performs with gusto. The two friends of varun are riproaringly funny and do a brilliant job. But it is Varun Dhawan and Alia Bhatt who are the stars. They come up with a terrific performance which makes the story so believable.
The music is just apt with a mix of wedding, club and romantic songs. Director Shashank Khaitan hits a sixer with his first film and is a director who we can forward to.
As an audience, I enjoyed the film and I am sure you will too. Its illogical, makes no sense mostly but is a breezy watch and the jokes keep coming till the end..
Let me start with what I was expecting from the film. With such pedigree behind this film, I was expecting sheer magic to unfold on screen. First of all, it was Imtiaz Ali’s brother who was making his directorial debut. Add to that Raj Kapoor’s grandson who was all set to carry his legacy forward. If that wasnt enough, add the greatness of AR Rahman to the mix and what you have on paper is a film bursting with spunk. What I got was a bland, boring film which didn’t have even an iota of originality to it. I walked out feeling cheated by a team which promised the moon, but sadly failed to even take off.
Two college friends turned lovers elope and get married when they realize the girl is getting into a forced life of matrimony. In wilderness, they realize they are not quite made for each other and return back to their families to duly begin the procedure of annulment. This takes up half the film. The procedure of annulment and in between how the two hearts start beating for each other forms the rest of the story. There, which of these even the words I mentioned above sounded original? Liberally picked up from classics like Saathiya and his own brother’s Socha Na Tha, Lekar Hum Deewana Dil is a disaster.
Armaan Jain in his first film proves why he will forever remain Raj Kapoor’s grandson and nothing else. The boy doesn’t boast of a single acting bone in his body and is ill equipped to handle such a complex character. Deeksha Seth in comparison is terrific in a role which required a mix of authority, madness and restlessness.. Probably a bunch of films down south added to her experience. Arif Ali as the director has a nice story to narrate, but some how fails to translate it on screen.
Amidst all that mess, the one man who stands tall is AR Rahman. Only if Arif had selected better tunes. Nevertheless, ARR whips up a crazy score which has some terrific songs and some plain average songs. The sun soaked locations of Goa and the jungles of Chhtisgarh have been shot well by Laxman Uttekar and that helps making the film look visually grand.
Nevertheless, with such a terrific team behind this film, all we get is a disastrous mess. I really hope Arif learns from his mistake and serves us a dose of originality in his next offering.